Beatriz Colomina investigates the intimate spaces created in Adolf Loos & Le Corbusier's architecture, focusing on the theory of sexuality in architectural terms. Colomina writes about these homes as though she is a detective who is writing about domestic voyeurism and the spaces created of which to gaze into, or to be gazed from. Colomina investigates Adolf Loos spatial setting out and theatrical orientations to create theatre like experiences for the occupants. Everything is planned with respect to gazes. What can be seen and from where, a voyeuristic approach to architecture. The example being 'a raised seating platform', not intended primarily for relaxation or social aspects, but to be used as an 'observation platform'. This platform allows the occupants to see intruders who may cross the threshold, allowing nothing to go undetected as if the conceptual idea was that of a theatre stage. The inhabitants resemble both the actors and the spectators. When in ...